LandEscapes Archives

Contact Us

HOME

WATERMARKS / OUTSIDE
Technical Bulletin for making sculptures float


LandEscapes Board

Nancy Manter,
artistic director

Lysbeth Ackerman

Nancy Bowen

Karen Davidson

Susan Lerner

Casey Mallinckrodt

Sam Shaw

Jody Silvio

 

Advisory Board:

Eduardo Bohorquez

Jennie Cline

Stephanie Cotsirillis

Niki Fox

Sue Gosin

Susan Dowlng Griffiths

Steve Kursch

Carl Little

Cynthia Livingston

Patricia Phillips

Carol Shutt

 

 
 

(printer friendly version of these directions)

Introduction
The objects you make will have to float in water. The sites include lakes, ponds and oceans. There are obvious laws of nature that your sculptures will have to pay attention to, and some subtle ways to make this happen. The environment can also be quite unforgiving. This is especially true in the ocean environment. Below are some hints and rules that you should consider to make your sculptures trouble free.

Requirements of the artist:
The artist will need to deliver the sculpture to the installation site on Mount Desert Island, Maine. An agent for the artist may deliver it. It will need to be delivered on Monday, July 19, 2004. The artist or the agent will need to be able to get the piece to the edge of the water. All sites are adjacent to a road or launching ramp. All sculptures must be tested prior to the installation. All sculptures must be able to float, and constructed of materials that can withstand the elements. All sculptures will have a ring or other secure means to tie the mooring line to. All artists must make arrangements to pick up the work by Sunday August 3. You will not need a boat to launch your piece.

Requirements of Staff of Watermarks/Outside
The staff of Watermarks will assist you at the launch site. We will have persons to help you move your piece from your car or trailer to the water. Once the piece is in the water, the Watermarks staff will move it to the desired location in the lake or ocean. The staff will provide the anchor and rope necessary to secure it to the lake bottom. We will work with the artist about locating the best site in a given location. While we may be available to perform some maintenance on the sculptures during the week, we prefer not to do so as it is complex to launch boats, etc. It is best to test your piece adequately before installation.

Testing:
Artists must water test their sculptures prior to installation. Things that you will need to determine:
-- Where is the waterline? If the keel is to heavy, part of your piece will be submerged.
--Is it balanced? Is the piece standing up straight? If not, adjust keel or floatation.
--Your piece must be able to stand up after it is knocked over. It is not just OK that your piece floats. You must be able to push it over 90 degrees such that the "mast" is in the water. If it does not right itself, you must put a longer or heavier keel, or reduce weight topside. It is absolutely mandatory that your piece be able to right itself.
--The ring that the anchor line will be tied to must be secure, and be at least 1" in diameter. The ring must be attached near the bow.


Materials:
You may use a wide variety of materials. Sheet Styrofoam in the blue shade is ideal for the floatation material. It is available in 2’and 4’ width, and in various thickness. The blue is denser and stronger than the pink. Wood is, of course suitable for much , but should not be used near the keel. Floating materials used deep beneath your sculpture will cause your piece to flip or be unstable. Keels can be made with materials such as cement, lead, steel, sash weights etc. Secure them strongly.

Do not use water soluble glues such as Elmers or hot glue guns. Do not use tape of almost all varieties. Metal tape seems to hold up OK. Avoid most papers and cardboards. Some of the sites are within Acadia National Park, and while alternative materials may look great on your piece, they become ugly litter if they break off your piece and wash up on shore. Pieces that self destruct will become litter on the beach which will likely not be appreciated by anyone. Use strong mechanical connections such as screws, nails and wire. Chemical connections should use epoxy or the like, and be sure there is good bonding and surface area.

Sites:
We have 7 or so sites identified on and around Mount Desert Island, Maine. They include
-- Echo Lake, along rte 102 in S W Harbor
-- Tidal Bridge, rte 198 in Somesville near the One Stop
-- Upper Hadlock Pond along rte 198 in N E Harbor
-- Thompson Island on West side of rte 3 next to traffic light
-- Hulls Cove on the beach along rte 3 in the village
-- Salisbury Cove at the Bio Lab

Some of these sites are subject to change. If you have a preference, you are welcomed to make a request, otherwise we will assign locations according to what we think works best.

Illustrations: (see below)
Below find seven illustrations that might assist you in making your sculptures float better. This does require some trial and error, so in many cases, you will have to go back and make adjustments. Its part of the process. You are welcomed to contact me if you have any particular questions.

Size:
What seems large in the studio looks remarkably small on the water. Do not be afraid to size these up. Ten feet in horizontal or vertical is not very large on the ocean. Three feet will be OK in an intimate location.

Contact for technical questions:
Sam Shaw, shawjlry@prexar.com or 207 244-7271 evenings.

(printer friendly version of these directions)

Illustrations

(Click on the .pdf for a printer friendly version.)

SHORTER, HEAVIER (.pdf)

TOP HEAVY (.pdf)

FLOTATION (.pdf)

MOST STABLE (.pdf)

WATER SCULPTURE APPLICATION INFORMATION

Need help with .pdf files? Click on the icon to get Acrobat Reader.

click for larger view